The week Sondheim died, Paul McCartney’s two-volume collection The Lyrics: 1956 to the Present (Liveright) was on its way to the top of the New York Times best-seller list, where The Beatles Get Back recently made its first appearance. I know better now.”Īlthough the musicological terminology in Sondheim’s conversations with Horowitz can be hard to follow, it’s offset by the composer’s personable, down to earth way of expressing himself: “When I feel I’m getting stale,” he says, “I go into sharp keys because they’re so foreign and scary.” Asked about the small red arrows on a manuscript, he explains that it signifies “what I like … after I’ve written down as many ideas as I can, and I feel as though I’m ready to give birth, I’ll go back over it and decide what it is I really want to remember and try to preserve.” As an example, he cites the duet “Tonight.” When Tony sings, “Today the world was just an address, a place for me to live in,” Sondheim thinks it sounds like this “street kid” has been “reading too much.” He then goes on to admit “that’s not true for a lot of people who find it a very good line and enjoy it.” But “if I had to do it all over again, I wouldn’t write that line …. Yet it seems that the lines I knew by heart are the ones he said he’s “embarrassed by” in a February 2020 interview on 60 Minutes. I had no idea at the time that the lyrics playing on the soundtrack of my life - “Somewhere,” “Maria,” “Tonight,” “America,” and the others - had been written by someone named Stephen Sondheim. More to the point, after seeing the original Broadway production of West Side Story, I lived in the cast album, singing along with and without it for years. A few years later, I saw Gertrude Lawrence and Yul Brynner in The King and I and had the good fortune to be in the house when Shirley MacLaine made her the-star-broke-a-leg debut at a matinee of The Pajama Game. The show was Where’s Charlie?, and I’d just turned 10. It happened during Ray Bolger’s captivating song and dance sing-along show-stopper, “Once in Love With Amy,” at the St. And now that I think of it, the theatre, which had also been “virtually unknown” to me when Sondheim was making his name there, had as much to do with changing my life as the Fab Four.
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Word choice is on my mind at the moment because I’m reading Sondheim on Music: Minor Details and Major Decisions (Scarecrow Press 2005), a series of his conversations with Library of Congress music specialist Mark Eden Horowitz. But “changed my life” was too easy to say, too facile, and my friend was uneasy using “trump” (“can we still use that word?”), a verb I’ve been avoiding for the past five years. I explained that Sondheim’s work was virtually unknown to me, while I’d been living in the music of the Beatles since the mid-1960s. T hey changed my life.” That was my response to an email from a friend asking: “So the Beatles trump Sondheim?” She was referring to my reviews of Get Back, the book and the film, written at a time when the cultural media was dominated by tributes and remembrances in the aftermath of the composer’s death. What do we mean by dope rap lyrics?ĭope rap lyrics are the lyrics that you another person gets to listen to and classify the lyrics as dope! Hey you’ve got dope rap lyrics up your sleeve! I think you may need to rap it out for the man/ woman that you love! He/ she will surely get the dope rap lyrics message.“ I was fortunate enough to meet him and chat about songwriting.” It also goes into leveraging your creativity to pull together a collection of word play to create dope rap lyrics for the man/ woman of your dreams. Love has gone beyond just sending the best love messages that you can find around. Love dope rap lyrics, cool rap quotes , best rap lines, best rap quotes, rap lines, dope rap lyrics for the boys, good rap lines, hip hop quotes, rap lyrics, dope rap lines, rap lyric quotes, are what you will ever find here.
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